Yuriko Yamaguchi is represented by the following galleries. For inquiries about available works, exhibitions, or acquisitions, please contact the respective gallery directly.
Adamson Gallery
Washington, DC
Representing Yamaguchi's mixed-media and installation works, Adamson Gallery hosted the exhibition Interconnected: Science, Nature, and Technologies in 2014.
Koplin Del Rio Gallery
Los Angeles, CA
Koplin Del Rio Gallery represents Yamaguchi on the West Coast, showcasing her sculptural and two-dimensional works.
Howard Scott Gallery
New York, NY
Howard Scott Gallery has represented Yamaguchi in New York, presenting a solo exhibition of her work in September 2011.
For additional information, visit the Contact page or follow @YamaguchiArt on Twitter for the latest updates.
Yuriko Yamaguchi's sculptural work explores the delicate intersections between nature, science, and human experience. Using materials such as wire, resin, rubber, and organic elements like onion skins and potato slices, she creates suspended, cloud-like forms that evoke networks of interconnected systems. Her pieces often reference biological structures, energy flows, and the invisible forces that bind communities together. The resulting installations feel both organic and artificial, as if capturing the moment where natural growth meets technological innovation. Viewers are invited to contemplate how individual components relate to larger wholes, mirroring the overlapping webs of relationships that define contemporary life in an increasingly connected world.
The artist's process is deeply meditative and labor-intensive, involving casting, molding, and hand-assembling countless small elements into larger compositions. Each piece begins with careful observation of natural forms and materials, which are then transformed through meticulous studio practice. This methodical approach reflects Yamaguchi's interest in systems thinking and the patterns that emerge from repetition and variation. Her work recalls microscopic cellular structures, neural networks, and atmospheric phenomena simultaneously. The resulting sculptures appear to float or drift in space, suspended as if caught between states of becoming. This quality invites viewers to move around the works, discovering new relationships and connections from every angle.
Themes of impermanence and interdependence run throughout Yamaguchi's artistic practice. Her choice of materials often carries symbolic weight, with translucent resins suggesting fragility and wire networks implying strength through interconnection. The sculptures reference natural cycles of growth, decay, and regeneration while also engaging with contemporary conversations about ecology and community. By creating works that feel both personal and universal, Yamaguchi encourages reflection on how individual actions ripple outward through larger systems. The resulting aesthetic is poetic and contemplative, inviting quiet observation rather than immediate comprehension. Her art ultimately suggests that beauty emerges from the complex, often invisible relationships that sustain life itself.